Performers: Regina Carter (Violin), Will Holshouser (Accordion), Adam Rogers (Guitar), Chris Lightcap (Bass), Alvester Garnett (Drums/Percussion)
Culture: Abayudaya (Ugandan/Jewish)
Instrumentation: Violin, Accordion, Guitar, Bass, Drums, Percussion
Reaction:
This week, I listened to Regina Carter’s album “Reverse Thread”. I will be talking about the the first track, entitled “Hiwumbe Awumba”. It is a traditional Abayudaya piece, arranged by composer Xavier Davis for Regina Carter’s band. Abayudaya, the “People of Judah” refers to a specific community in Uganda. The members of this community are not of jewish heritage, but practice judaism. Because this is arrangement is for different instrumentation than it was originally intended, a more “authentic version” might be desired. A sample of this can be found here.
Could you post a link to the Regina Carter version of the song?
ReplyDeleteIt always amazes me how two bits of music from different parts of the world can have similarities. When I first heard the authentic version you posted, I thought it could've been something from Ireland. I love simple acoustic music like this (the authentic version) at least.
నా గుండె మీద వెళ్తుంది
ReplyDeleteMy apologies, I forgot to post the actual song which I listened to. I couldn't find any videos of it on the internet, but here is a link to the album version on itunes. You can still listen to the first minute and a half of the tune for free.
ReplyDeletehttps://itunes.apple.com/artist/regina-carter/id135462
Interesting indeed; a group of jazz musicians playing music of another culture using less-than-completely authentic instrumentation, including jazz violin which is not the most typical jazz instrument. And the music being played comes from a culture of people who are not of jewish heritage, but practice judaism. Lots of steps between the authentic beginnings and my having listened to it, but I still feel that I am informed somewhat about that culture as a result of listening. Should I?
ReplyDeleteI am not sure that there are many examples of music in the world that are "pure," nor that purity should be our idea of what is authentic. Consider this piece's authenticity in light of personal authenticity - does that fit, Andy?
ReplyDeleteWhat an interesting comparison of the two, Ian. Great to see you using your resources!
ReplyDelete